Hollywood Reporter Entertainment News. Yep, the calendar has turned a page and awards season has begun. Whether you're rooting for big movies — 'Dunkirk'? Apes'? — or low- budget indies like 'The  Florida  Project' ($2 million), it's a wide- open field, as THR sets the stage for suspense and surprises.

Nowhere to Hide': Film Review IDFA 2. Shattered bodies prove easier to fix than broken countries in Zaradasht Ahmed's Nowhere to Hide, a first- person immersion in four turbulent years in the life of an Iraqi medic. A behind- the- headlines story of human resilience in the face of daily- worsening circumstances, this Norway- Sweden co- production by Kurdish- born, Oslo- based Ahmed landed the top prize in IDFA's keenly contested Feature- Length Competition and looks set for a busy festival career in the months ahead.

Niche theatrical distribution also is potentially in the cards, while small- screen options reportedly include the 8. Amsterdam and a 6. TV edit. Prospects of exposure on all platforms and outlets are boosted by the fact that developments in this particularly febrile corner of the world look sure to feature prominently in global news media for the foreseeable future. A brief prologue provides a striking introduction to main protagonist — and chief cameraman — Nori Sharif, who emerges from the Diyala Desert in a manner reminiscent of his namesake Omar's iconic entrance in Lawrence of Arabia. The sweat- soaked, desperate Sharif we see here in 2. December 2. 01. 1 as American troops hand over control of Iraq to its people amid much singing and dancing in the streets.

At this point Sharif is working at the Jalawla Emergency Hospital, a hundred miles northwest of Baghdad, not so far from the Iranian border. My life is good," he beams, surveying his "beautiful wife" and four young children in their comfortable residence. They are, of course, the lucky ones — in this part of Iraq, known as the "triangle of death," thousands were injured in the "tornado of war" as Saddam Hussein was forced from power, resulting in "an army of orphans." But as the months pass and Iraq steadily slides into fresh ethnic strife and resurgent bloody chaos, Sharif finds himself helplessly engulfed in the violent tides of history. Recording his daily life with a small videocamera, with occasional interpolations from Ahmed's more professional equipment, the genial, relentlessly curious Sharif proves an excellent guide as the security situation spirals from instability into nightmare and the so- called Islamic State (aka ISIS or Daesh) advances inexorably advances towards Jalawla. Sharif's profession gives him close- up access to injured, desperate people of all kinds —  often shown in graphic close- up here — and informs his vocabulary as he seeks to make sense of it all. It is, he says, "an undiagnosed war: you only see the symptoms, you don't understand the disease." Fleeing his home just before the hour mark, Sharif and his family become nomadic refugees in their own country, shuttling between 1. Editor Eva Hillstrom pieces together what was presumably a mass of video- diary reportage into a coherent, brisk whole.

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